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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is considered a seminal work of synth-pop.

He subsequently founded the innovative electronic act The Grid, who secured chart success with their 1994 single Swamp Thing.

Ball passed away peacefully in his rest at his home in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball performed in a mobility chair, as he had for the last two years, after a spate of health issues.

"I managed to injure myself quite a bit," he commented in a recent interview. "I fractured lower vertebrae in my spine and fractured about five ribs and broke my wrist."

After catching a lung infection and developing sepsis, he was put in an induced coma and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the warmer months, as he worked on a new album with Almond, titled the upcoming Danceteria, which is set for publication in the coming year.

"He was concentrated and so happy with the new album that we literally completed only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as 2026 was all set to be such an positive time for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant aspect of my existence and for the music you gave me. I couldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a band, the connection is very tight," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He grew up in Blackpool with his new family his caregivers, who altered his first name from his birth name to his adopted name, together with his sibling his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they established Soft Cell the very year, and quickly recorded an extended play.

Creative Collaboration

The duo were an unusual combination: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant showman, all glitter and makeup; but they attained a unique musical alchemy.

Ball had developed a fascination with synthesizers after watching the band Kraftwerk perform on a television science show Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second biggest-selling single of 1981, shifting millions of copies worldwide. Alongside hits by Gary Numan, Human League and Ultravox, it contributed to paved the path for the synth-pop sound of the 80s.

The song was also included on their first album, their initial LP, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Professional Journey

Success had its upsides. "I loved being able to purchase my initial property, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago shared with a music magazine.

But it also caused challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the monotony" of press appearances and television shows, Ball explained.

"I know that's a cliché, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to produce a second classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond went on to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the charting album Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on September 30, 2018.

Yet, they remained together, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the band's new album as a tribute to the NYC nightlife they visited while making their initial records.

He added that his period in hospital had influenced the band's sound.

"I had strange recollections when I was in and out of hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"In parallel, it's about the experiences me and Marc had in the 1980s."

The final mixes were completed only days before Ball passed away. It is scheduled for launch in Spring 2026.

About the author

Stacey Wright

Liam Voss is a freelance writer specializing in online bonus reviews and digital marketing strategies.

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